Search results for "Rural landscapes"
showing 3 items of 3 documents
Of Oaks, Erratic Boulders, and Milkmaids
2004
In the study and care for rural landscapes and their inhabitants a perpetual dilemma is knowing the different discourses those landscapes embody for a culture group, or “discourse community,” as Siri Aasbo (1999: 148) calls it (after Eco 1977). It is a well-known truism that a gap exists in the understanding and evaluation of landscapes between insiders and outsiders, natives and visitors, actors and observers, inhabitants and experts. Since this is known territory, I shall not revisit it, except to restate the obvious — expert opinion, even when well-intended, rarely agrees with the local inhabitants in what is good for them. As Sverker Sorlin expresses it, landscape is a “contested terrai…
Farm Productions and Rural Landscapes
2017
Farm landscapes in the Philippines are dominated by rice and coconuts in most provinces. In a country of generally small farm holdings, rice, the staple food, is cultivated across the archipelago, even if corn plays a bigger role in the southern part of the country. In the mountains of northern Luzon, the Ifugao tribe have developed over several centuries a remarkable landscape of rice terraces on steep slopes, but most of the rice is grown in the plains of Central Luzon around Manila. The coconut “tree of life”, most abundant in Quezon and Bicol, is used in many different ways, from food to construction materials. Bananas and pineapple are the leading export productions, mostly grown on la…
1968 And Rural Japan as A Site of Struggle. Approaches to rural landscapes in the history of Japanese documentary film
2021
In the twentieth century, Japan produced an extraordinary documentary film heritage around the rural world which has not received sufficient attention. This article identifies three different approaches to the rural in Japanese film history: first, the wartime interest in place as providing an 'authentic essence' of a national identity. Second, the post-war representation of the rural in public relations films (PR eiga), mainly interested in geography. And third, the release of Ogawa's Summer in Sanrizuka in 1968 which brought a new dimension to a countryside transformed into both a battlefield and an icon of the political protest of the era.